Course Name | Textile Studio |
Code | Semester | Theory (hour/week) | Application/Lab (hour/week) | Local Credits | ECTS |
---|---|---|---|---|---|
FD 303 | Fall | 0 | 4 | 2 | 3 |
Prerequisites | None | |||||
Course Language | English | |||||
Course Type | Required | |||||
Course Level | First Cycle | |||||
Mode of Delivery | - | |||||
Teaching Methods and Techniques of the Course | Q&ACritical feedbackApplication: Experiment / Laboratory / WorkshopLecture / Presentation | |||||
Course Coordinator | ||||||
Course Lecturer(s) | ||||||
Assistant(s) | - |
Course Objectives | The aim of this course is to give basic information about textile surface designs with different techniques. |
Learning Outcomes | The students who succeeded in this course;
|
Course Description | This course covers different fabric manipulation techniques and applications used in fashion design. |
Related Sustainable Development Goals | |
| Core Courses | |
Major Area Courses | X | |
Supportive Courses | ||
Media and Managment Skills Courses | ||
Transferable Skill Courses |
Week | Subjects | Required Materials |
1 | Introduction | |
2 | Preparation and application of block printing molds | Mary Schoeser, World Textiles: A Concise History, Thames and Hudson, 2003,ISBN-10: 0500203695, s 179-182 5000 Years of Textiles Ed. Jennifer Harris,1993, Bristish Museum Press,ISBN-10: 0714117153 . s..39 Jane Dunnewold, Art Cloth: A Guide to Surface Design For Fabric, Interweave Press 2008, ISBN-10: 1596681950 s.52-65 Repeat Pattern, Thames and Hudson, 1993, ISBN 10:0500276870,p.24,26,27,58,59,86,87,111,119,140 Mary Schoeser, World Textiles: A Concise History, Thames and Hudson, 2003,ISBN-10: 0500203695, s 179-182 5000 Years of Textiles Ed. Jennifer Harris,1993, Bristish Museum Press,ISBN-10: 0714117153 . s..39 Jane Dunnewold, Art Cloth: A Guide to Surface Design For Fabric, Interweave Press 2008, ISBN-10: 1596681950 s.52-65 Repeat Pattern, Thames and Hudson, 1993, ISBN 10:0500276870,p.24,26,27,58,59,86,87,111,119,140 |
3 | Application of block printing | Angela Völker, Textiles of The Wiener WerkstatteThames and Hudson, 2004,ISBN-13: 978-0500285183,s.35,36,83,137 John Gillow and Bryan Sentance, World Textiles, 1994, ISBN 10: 0500282471 , p.110 Sırrı Demirci, Elvan Yazmalar Diyarı Tokat, Tokat Belediyesi, 2016, s.189-230 |
4 | Classification and presentation of fabric manipulation techniques (tieying/folding resist dyeing techniques | Jane Dunnewold, Art Cloth: A Guide to Surface Design For Fabric, Interweave Press 2008,s.90-97 ISBN-10: 1596681950. Linda F. Megehee, Creating Texture With Textiles, Krause Publications 1998, ISBN-13: 978-0873416573 s.22-26 Alison J.Reid Stich Magic, 102 John Gillow and Bryan Sentance, World Textiles, 1994, ISBN 13: 9780500282472. p.122-127 Shaping and Heat-setting synthetic fabric, 2011, http://krex.ksu.edu, 31-41 Kate Wells, Fabric Dyeing&Printing,Conran,1997, ISBN-10: 1850298661; s.125 |
5 | Stitching / Beading Reserve Dyeing Techniques | Jane Dunnewold, Art Cloth: A Guide to Surface Design For Fabric, Interweave Press 2008,s.90-97 ISBN-10: 1596681950. Linda F. Megehee, Creating Texture With Textiles, Krause Publications 1998, ISBN-13: 978-0873416573 s.22-26 Alison J.Reid Stich Magic, 102 John Gillow and Bryan Sentance, World Textiles, 1994, ISBN 13: 9780500282472. p.122-127 Shaping and Heat-setting synthetic fabric, 2011, http://krex.ksu.edu, 31-41 Kate Wells, Fabric Dyeing&Printing,Conran,1997, ISBN-10: 1850298661; s.125 |
6 | Wraping Reserve Dyeing techniques | Mandy Southan, Shibori (Design&Techniques) ISBN-978-1-84448-269-6 2008,28,50 |
7 | PROJECT- A product will be created by combining learned techniques (Color, pattern, decoration and function will be considered) | Jane Dunnewold, Art Cloth: A Guide to Surface Design For Fabric, Interweave Press 2008,s.90-97 ISBN-10: 1596681950. Linda F. Megehee, Creating Texture With Textiles, Krause Publications 1998, ISBN-13: 978-0873416573 s.22-26 Alison J.Reid Stich Magic, 102 John Gillow and Bryan Sentance, World Textiles, 1994, ISBN 13: 9780500282472. p.122-127 Shaping and Heat-setting synthetic fabric, 2011, http://krex.ksu.edu, 31-41 Kate Wells, Fabric Dyeing&Printing,Conran,1997, ISBN-10: 1850298661; s.125 |
8 | MIDTERM | |
9 | Surface design | Richard Fisher and Dorothy Wolthal, Textile Print Design, Fairchild Publications,1987, ISBN 9780870055133, s.54-70 |
10 | Preparation of the pattern | Richard Fisher and Dorothy Wolthal, Textile Print Design, Fairchild Publications,1987, ISBN 9780870055133 s.130-145 Marypaul Yates, Textiles, WW. Norman Company, 1995, ISBN-13: 978-0393730036, s.135 |
11 | Preparation of film positive | Amanda Briggs Goode, Printed Textile Design, laurence King Publishing, 2013, ISBN10: 1780671180 s.139 |
12 | Digital printing; Introduction and application | Amanda Briggs Goode, Printed Textile Design, laurence King Publishing,2013, ISBN10: 1780671180 s.139 |
13 | PROJECT- A product will be created by combining learned techniques (Color, pattern, decoration and function will be considered) | |
14 | Semester Review | |
15 | Semester Review | |
16 | Project submission |
Course Notes/Textbooks | |
Suggested Readings/Materials | Jane Dunnewold, Art Cloth: A Guide to Surface Design For Fabric, Interweave Press 2008 ISBN-10: 1596681950. Linda F. Megehee, Creating Texture With Textiles, Krause Publications 1998, ISBN-13: 978-0873416573 John Gillow and Bryan Sentance, World Textiles, 1994, ISBN 13: 9780500282472. Shaping and Heat-setting synthetic fabric, 2011, http://krex.ksu.edu, Kate Wells, Fabric Dyeing&Printing,Conran,1997, ISBN- 10: 1850298661; Mary Schoeser, World Textiles: A Concise History, Thames and Hudson, 2003,ISBN-10: 0500203695, 5000 Years of Textiles Ed. Jennifer Harris,1993, Bristish Museum Press,ISBN-10: 0714117153 . Repeat Pattern, Thames and Hudson, 1993, ISBN 10:0500276870 John Gillow and Bryan Sentance, World Textiles, 1994, ISBN 10: 0500282471 , Sırrı Demirci, Elvan Yazmalar Diyarı Tokat, Tokat Belediyesi, 2016 Robert Adamand Carol Robertsan, Screen Printing the complete water-based system, Thames and Hudson, 2002, ISBN-13: 978-0500284254 Macarena San Martin, Patterns in Fashion, Evergreen, 2009, ISBN 13: 9783836511698 Routh Lee, Three dimentional textilees with coil, loops, knots and nets, Batsford,2010, ISBN 13: 9781906388645 Starr Siegele, Toiles for All Seasons, Allentown Art Museum,2004, ISBN 13: 9781593730307 Angela Völker, Textiles of The Wiener WerkstatteThames and Hudson, ISBN-13: 978-0500285183 Peter Dormer, Design Since 1945, Thames and Hudson, 1993, ISBN-13: 9780500202616 Richard Fisher and Dorothy Wolthal, Textile Print Design, Fairchild Publications,1987, ISBN 9780870055133 Amanda Briggs Goode, Printed Textile Design, laurence King Publishing, 2013, ISBN10: 1780671180 |
Semester Activities | Number | Weigthing |
Participation | 1 | 10 |
Laboratory / Application | ||
Field Work | ||
Quizzes / Studio Critiques | 1 | 30 |
Portfolio | ||
Homework / Assignments | ||
Presentation / Jury | ||
Project | 1 | 30 |
Seminar / Workshop | ||
Oral Exam | ||
Midterm | 1 | 30 |
Final Exam | ||
Total |
Weighting of Semester Activities on the Final Grade | 4 | 100 |
Weighting of End-of-Semester Activities on the Final Grade | ||
Total |
Semester Activities | Number | Duration (Hours) | Workload |
---|---|---|---|
Course Hours (Including exam week: 16 x total hours) | 16 | 0 | |
Laboratory / Application Hours (Including exam week: 16 x total hours) | 16 | 4 | |
Study Hours Out of Class | 5 | 1 | 5 |
Field Work | |||
Quizzes / Studio Critiques | 1 | 4 | |
Portfolio | |||
Homework / Assignments | |||
Presentation / Jury | |||
Project | 1 | 10 | |
Seminar / Workshop | |||
Oral Exam | |||
Midterms | 1 | 7 | |
Final Exams | |||
Total | 90 |
# | Program Competencies/Outcomes | * Contribution Level | ||||
1 | 2 | 3 | 4 | 5 | ||
1 | To be able to develop and design a collection independently. | |||||
2 | To be able to do maintain a design research individually or as a team. | X | ||||
3 | To be able to develop entrepreneurship- and managerial skills for a future professional practice. | |||||
4 | To be able to understand, interpret and apply theoretical knowledge in fashion and textile design. | X | ||||
5 | To be able to analyze and integrate the particular local and regional needs and of their profession. | X | ||||
6 | To be able to obtain a multidisciplinary point of view, follow and analyze the new issues, changes and trends in contemporary design and art in such a way that they can be integrated into design practice. | |||||
7 | To be able to apply industrial requirements, knowledge of material & usage and know-how knowledge in the creation of high quality fashion products. | X | ||||
8 | To be able to use digital information and communication technologies at a level that is adequate to the discipline of fashion and textile design. | X | ||||
9 | To be able to develop an ongoing analytical and professional approach to academic and design research. | |||||
10 | To be able to recognize the need and importance of a personal lifelong learning attitude towards their chosen area of interest. | |||||
11 | To be able to collect data in the areas of fashion and textile design and communicate with colleagues in a foreign language ("European Language Portfolio Global Scale", Level B1). | |||||
12 | To be able to speak a second foreign at a medium level of fluency efficiently. | |||||
13 | To be able to relate the knowledge accumulated throughout the human history to their field of expertise. |
*1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest